Strings

A string datatype is a datatype modeled on the idea of a formal string. Strings are such an important and useful datatype that they are implemented in nearly every programming language. In some languages they are available as primitive types and in others as composite types. The syntax of most high-level programming languages allows for a string, usually quoted in some way, to represent an instance of a string datatype; such a meta-string is called a literal or string literal.A variable declared to have a string data type usually causes storage to be allocated in memory that is capable of holding some predetermined number of symbols. When a string appears literally in source code, it is known as a string literal and has a representation that denotes it as such.

Some string instruments have keyboards attached which are manipulated by the player, meaning they do not have to pay attention to the strings directly. The most familiar example is the piano, where the keys control the felt hammers by means of a complex mechanical action. Other string instruments with a keyboard include the clavichord (where the strings are struck by tangents), and the harpsichord (where the strings are plucked by tiny plectra).

With these keyboard instruments too, the strings are occasionally plucked or bowed by hand. Composers such as Henry Cowell wrote music which asks for the player to reach inside the piano and pluck the strings directly, or to "bow" them with bow hair wrapped around the strings, or play them by rolling the bell of a brass instrument such as a trombone on the array of strings.Other keyed string instruments, small enough to be held by a strolling player, include the plucked autoharp, the bowed nyckelharpa, and the hurdy gurdy, which is played by cranking a rosined wheel.

Steel-stringed instruments (such as the guitar, bass, violin, etc.) can be played using a magnetic field. An E-Bow is small hand-held battery-powered device which can be used to excite the strings of an electric guitar. It provides a sustained, singing tone on the string which is magnetically vibrated.

Likewise,3rd Bridge is a plucking method where the string is divided in two pieces and struck at the side which is unamplified. The technique is mainly used on electric instruments, because these have a pickup which amplifies only the local string vibration. It's possible on acoustic instruments as well, but lesser convenient. For instance press on the 7th fret on a guitar and pluck it at the head side and a tone will resonate at the opposed part. At electric instruments this technique can generate multitone sounds remniscent of a clock or a bell.

sitar

The sitar is a plucked stringed instrument predominantly used in Hindustani classical music, where it has been ubiquitous since the Middle Ages. It derives its resonance from sympathetic strings, a long hollow neck and a gourd resonating chamber.The sitar's curved frets are movable, allowing fine tuning, and raised so that sympathetic strings (tarb, also known as "taarif" or "tarafdaar") can run underneath them. A sitar can have 21, 22, or 23 strings, among them six or seven played strings which run over the frets: the Gandhaar-pancham sitar (used by Vilayat Khan and his disciples) has six playable strings, whereas the Kharaj-pancham sitar, used in the Maihar gharana, to which Pt. Ravi Shankar belongs, has seven. Three of these (or four on a Kharaj-pancham sitar), called the chikaari, simply provide a drone: the rest are used to play the melody, though the first string (baajtaar) is most used.

The instrument has two bridges; the large bridge (badaa goraa) for the playing and drone strings and the small bridge (chota goraa) for the sympathetic strings. Its timbre results from the way the strings interact with the wide, sloping bridge. As a string reverberates its length changes slightly as its edge touches the bridge, promoting the creation of overtones and giving the sound its distinctive tone. The maintenance of this specific tone by shaping the bridge is called jawari. Many musicians rely on instrument makers to adjust this.

Materials used in construction include teak wood or tun wood (Cedrela tuna), which is a variation of mahogany, for the neck and faceplate (tabli), and gourds for the kaddu (the main resonating chamber). The instrument's bridges are made of deer horn, ebony, or very occasionally from camel bone. Synthetic material is now common as well. The sitar may have a secondary resonator, the tumbaa, near the top of its hollow neck.

Used throughout the Indian subcontinent, particularly in Northern India, Pakistan, and Bangladesh, the sitar became known in the western world through the work of Pandit Ravi Shankar beginning in the late 1950s, particularly after George Harrison of The Beatles took lessons from Shankar and Shambhu Das[1] and played sitar in songs including "Norwegian Wood (This Bird Has Flown)". Shortly after, The Rolling Stones used a sitar in "Paint It Black" and a brief fad began for using the instrument in pop songs.

The instrument is balanced between the player's left foot and right knee. The hands move freely without having to carry any of the instrument's weight. The player plucks the string using a metallic pick or plectrum called a mizraab. The thumb stays anchored on the top of the fretboard just above the main gourd. Generally only the index and middle fingers are used for fingering although a few players occasionally use the third. A specialized technique called "meand" involves pulling the main melody string down over the bottom portion of the sitar's curved frets, with which the sitarist can achieve a 7 semitone range of microtonal notes (it should be noted, however, that because of the sitar's movable frets, sometimes a fret may be set to a microtone already, and no bending would be required). Adept players bring in charisma through use of special techniques like Kan, Krintan, Murki, Zamzama etc. They also use special Mizrab Bol-s, as in Misrabani and create Chhand-s even in odd-numbered Tal-s like Jhoomra.

dj

A disc jockey (also known as 'DJ' or deejay) is a person who selects and plays recorded music for an audience. Originally, disk referred to phonograph records, while disc referred to the Compact Disc, and has become the more common spelling. Today, the term includes all forms of music playback, no matter the source.

There are several types of disc jockeys. Radio DJs introduce and play music that is broadcast on AM, FM, shortwave, digital, or internet radio stations. Club DJs select and play music in bars, nightclubs, discothèques, at raves, or even in a stadium. Hip hop disc jockeys select and play music using multiple turntables, often to back up one or more MCs, and they may also do turntable scratching to create percussive sounds. In reggae, the disc jockey (deejay) is a vocalist who raps, "toasts", or chats over pre-recorded rhythm tracks while the individual choosing and playing them is referred to as a selector.[1] Mobile DJs travel with portable sound systems and play recorded music at a variety of events.

Equipment and techniques
Turntables and mixer often used by DJs

DJ equipment may consist of:

* Sound recordings in a DJ's preferred medium (e.g., vinyl records, Compact Discs, computer media files, etc.);
* A combination of two devices (or only one, if playback is digital) to play sound recordings, for alternating back and forth to create a continuous playback of music (e.g., record players, Compact Disc players, computer media players such as an MP3 player, etc.);
* A multiple Sequencer which can mix MIDI tracks with Digital Audio
* A sound system for amplification or broadcasting of the recordings (e.g., portable audio system, PA system) or a radio broadcasting system;
* A DJ mixer, which is an electronic (usually 2- or 4-channel) audio mixer usually equipped with a crossfader used to smoothly go from one song to another, using two or more playback devices;
* Headphones, used to listen to one recording while the other recording is being played to the audience; and
* Optionally, a microphone, so that the DJ can introduce songs and speak to the audience.

Other equipment could or can be added to the basic DJ setup (above), providing unique sound manipulations. Such devices include, but are not limited to:

* Electronic effects units (delay, reverb, octave, equalizer, chorus, etc.). Some club DJs use a sub-harmonic synthesizer effect which either doubles low frequencies with energy added an octave lower or synthesizes harmonics such that the impression of a very low bass sound is added to the mix.
* A computerised performance system, which can be used with vinyl emulation software to manipulate digital files on the computer in real time.
* Multi-stylus headshells, which allow a DJ to play different grooves of the same record at the same time.
* Special DJ digital controller hardware can manipulate digital files on a PC or laptop;
* Samplers, sequencers, electronic musical keyboards (synthesizers), or drum machines.

Several techniques are used by DJs as a means to better mix and blend recorded music. These techniques primarily include the cueing, equalization, and audio mixing of two or more sound sources. The complexity and frequency of special techniques depends largely on the setting in which a DJ is working. Radio DJs are less likely to focus on music-mixing procedures than club DJs, who rely on a smooth transition between songs using a range of techniques.

Club DJ turntable techniques include beatmatching, phrasing, and slip-cueing to preserve energy on a dancefloor. Turntablism embodies the art of cutting, beat juggling, scratching, needle drops, phase shifting, back spinning, and more to perform the transitions and overdubs of samples in a more creative manner (although turntablism is often considered a use of the turntable as a musical instrument rather than a tool for blending recorded music). Professional DJs may use harmonic mixing to choose songs that are in compatible musical keys.

Hence,in todays word most of the playlist of music is played in dance party or any kind or parties by DJ's..

pop music

Pop music (a term that originally derives from an abbreviation of "popular") is usually understood to be commercially recorded music, often oriented towards a youth market, usually consisting of relatively short, simple love songs utilizing technological innovations to produce new variations on existing themes. Pop music has absorbed influences from most other forms of popular music, but as a genre is particularly associated with the rock and roll and later rock style.

Hatch and Millward define pop music as "a body of music which is distinguishable from popular, jazz and folk musics".[1] Although pop music is often seen as oriented towards the singles charts, as a genre it is not the sum of all chart music, which has always contained songs from a variety of sources, including classical, jazz, rock, and novelty songs, while pop music as a genre is usually seen as existing and developing separately.[2] Thus "pop music" may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.[3]

The definition of pop music is purposefully flexible as the music that is identified as pop is constantly changing. At any particular point in time it may be easiest to identify pop music as that which is successful on the pop music charts. For the past 50 years the most successful musical styles on the pop charts have continually changed and evolved. However, there are some consistent patterns in what is identified as pop music.

One of the most consistent elements of pop music since the 1950's is the pop song. Pop music is not usually written, performed and recorded as a symphony, suite, or concerto. The basic form for pop music is the song and usually a song consisting of verse and repeated chorus. Most often the songs are between 2 1/2 minutes and 5 1/2 minutes in length. There have been notable exceptions. The Beatles' "Hey Jude" was an epic 7 minutes in length. However, in many cases, if the song is abnormally long, an edited version is released for radio airplay such as in the case of Don McLean's "American Pie." It was edited down from its original 8 1/2 minutes length to just over 4 minutes for radio airplay. On the other end of the spectrum, in the late 1950's and early 1960's some hit songs clocked in under 2 minutes in length.

band

a group of instrumentalists playing music of a specialized type: rock band; calypso band; mariachi band.

a musical group, usually employing brass, percussion, and often woodwind instruments, that plays esp. for marching or open-air performances.

A musical ensemble is a group of two or more musicians who perform instrumental or vocal music. In each musical style different norms have developed for the sizes and composition of different ensembles, and for the repertoire of songs or musical works that these ensembles perform.

A group of two musicians is called a duo, a group of three is a trio, a group of four a quartet, and a group of five a quintet. A musician who usually performs alone is usually termed a solo musician or solo artist.

In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles or wind ensembles. In jazz ensembles, the instruments typically include wind instruments (one or more saxophones, trumpets, etc.), one or two chordal "comping" instruments (electric guitar, piano, or organ), a bass instrument (electric bass guitar or double bass), and a drummer or percussionist. In rock ensembles, usually called rock bands, there are usually guitars and keyboards (piano, electric piano, Hammond organ, synthesizer, etc.) and a rhythm section made up of a bass guitar and drum kit.

Classical chamber ensembles for more than six musicians are occasionally used, such as septets (seven musicians), octets (eight musicians), or nonets (nine musicians). However, in many cases a larger classical group is referred to as an orchestra of some type. A small orchestra with fifteen to thirty members (violins, violas, cellos, double basses, and several woodwind or brass instruments) is called a chamber orchestra In the American education system, sitting groups are known as wind ensembles or concert bands (to differentiate from marching bands. Music is similar to that of a pops orchestra, orchestrated for woodwinds, brass, and percussion. A sinfonietta usually denotes a somewhat smaller orchestra (though still not a chamber orchestra). Larger orchestras are called symphony orchestras or philharmonic orchestras.[1]

A pops orchestra is an orchestra that mainly performs light classical music (often in abbreviated, simplified arrangements) and orchestral arrangements and medleys of popular jazz, music theater, or pop music songs. A string orchestra has only strings, i.e., violins, violas, violoncellos and basses.

A symphony orchestra is an ensemble usually comprising at least thirty musicians; the number of players is typically between seventy and ninety-five and may exceed one hundred. A symphony orchestra is divided into families of instruments. In the string family, there are sections of violins (I and II), violas, violoncellos, and basses. The winds consist of the woodwind family of instruments (flutes and piccolo, oboes and English horn, clarinets [made up of the Eb Clarinet, Clarinet, and Bass Clarinet], and bassoons [often including contrabassoon]) and the brass family (horns, trumpets, trombones, and tuba). The percussion family includes the timpani, bass drum, snare drum, and any other percussion instruments called for in a score (e.g., triangle, glockenspiel, chimes, cymbals, wood blocks).

When orchestras are performing baroque music (from the 17th century and early 18th century), they may also use a harpsichord or pipe organ. When orchestras are performing Romantic-era music (from the 19th century), they may also use harps or unusual instruments such as the wind machine. When orchestras are performing music from the 20th century or the 21st century, occasionally instruments such as electric guitar, theremin, or even an electronic synthesizer may be used. I AM AUSOME!

Two-member rock and pop bands are relatively rare, because of the difficulty in providing all of the musical elements which are part of the rock or pop sound (vocals, chords, bass lines, and percussion or drumming) with trios or quartets. Two-member rock and pop bands typically omit one of these musical elements. In many cases, two-member bands will omit a drummer, since guitars, bass guitars, and keyboards can all be used to provide a rhythmic pulse. Examples of two-member bands are The Everly Brothers, Hella, Death from above 1979, I Set My Friends On Fire, No Age, The White Stripes, Lightning Bolt, The Ting Tings, The Black Keys, Pet Shop Boys, Tenacious D, MGMT and Simon and Garfunkel .

When electronic sequencers became widely available in the 1980s, this made it easier for two-member bands to add in musical elements that the two band members were not able to perform. Sequencers allowed bands to pre-program some elements of their performance, such as an electronic drum part and a synth-bass line. Two-member pop music bands such as Soft Cell used pre-programmed sequencers. Other pop bands from the 1980s which were ostensibly fronted by two performers, such as Wham! and Tears for Fears, were not actually two-piece ensembles, because other instrumental musicians were used "behind the scenes" to fill out the sound.

Two-piece bands in rock music are quite rare. However, starting in the 2000s, blues-influenced rock bands such as The White Stripes, Lost Dawn and The Black Keys utilized a guitar and drums scheme. However, this is predated by the Flat Duo Jets from the '80's. Death From Above 1979 featured a drummer and bass guitarist. Tenacious D is a two-guitar band; One Day as a Lion and The Dresden Dolls both feature a keyboardist and a drummer. The band Welk consists of a two-man psychedelic flute band, with the occasional synthesizer. Two-person bands have grown in popularity in experimental rock music. W.A.S.P. guitarist Doug Blair is also known for his work in the two-piece progressive rock band signal2noise, where he manages to be the lead guitarist and bassist at the same time, thanks to a special custom instrument he invented (an electric guitar with five regular guitar strings paired with three bass guitar strings). Providence-based Lightning Bolt is a two-member band. Bassist Brian Gibson augments his playing with delay pedals, pitch shifters, looping devices and other pedals, occasionally creating harmony. Local H, No Age, Blood Red Shoes and Warship are other prominent two-person experimental rock bands.

In rock, heavy metal, blues, jazz, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs, often played with a distortion effect. Two guitarists may perform as a guitar tandem, and trade off the lead guitar and rhythm guitar roles. Alternatively, two or more guitarists can share the lead and rhythm roles throughout the show, or both guitarists can play the same role ("dual lead guitars" or "dual rhythm guitars"). Often several guitarists playing individual notes may create chord patterns while mixing these "harmonies" with mixed unison passages creating unique sound effects with sound altering electronic special effects such as doublers or a "chorus" effect that over-pronounce the lead significantly sometimes to cut through to be heard in loud shows or throw its sound aesthetically both acoustically or electronically.

To create lead guitar lines, guitarists use scales, modes, arpeggios, licks, and riffs that are performed using a variety of techniques. In rock, heavy metal, blues, jazz and fusion bands and some pop contexts as well as others, lead guitar lines often employ alternate picking, sweep picking, economy picking and legato (e.g., hammer ons, pull offs), which are used to maximize the speed of their solos or riffs. Such "tricks" can employ the picking hand used in the fret area (such as tapping) and even be augmented and embellished with devices such as bows or separate electronic devices such as an EBow. Some even like to play with their teeth or feet or other bodily appendages or the like, this is normally used as a performance technique in order to impress spectators. In a blues context as well as others, lead guitar lines are created using call and response-style riffs that are embellished with string bending, vibrato and slides.

In rock, heavy metal, blues, jazz and fusion bands and some pop contexts as well as others, the lead guitar line often involves melodies (as well as power chords from the rhythm guitars) with a sustained, singing tone. To create this tone on the electric guitar, guitarists often select certain pickups and use electronic effects such as effects pedals and distortion pedals, or sound compressors, or doubler effects for a more sustained tone, and delay effects or an electronic "chorus" effect as well as electronic reverb and echo for a reverberant sound.

To attain this prized sustain effect tube amplifiers such as Marshall are often utilized The desired effect, springs basically from where the tubes, when pushed to high volumes reach their peak and no farther which has an effect of attenuating the attack portions of the signal while presenting the trailing portions of the signal (which are normally progressively quieter) at the same volume as that peak output portions mimicking compressor/limiter electronic effects. Simultaneous to this, the distortion can actually distort itself in fidelity of its production adding a smooth "creamy" effect to distortion when as well the resolution of the usually gritty distortion sound is compromised and the note will almost return to its original configuration plus the desired "sloping" effects. Hence, the name of the band "Cream" that utilized these aspects extensively [1]. These are aesthetically pleasing to many guitar players and sometimes violin and keyboard players as well.

High volume is also used to induce audio feedback, which increases sustain dramatically. Sometimes, if done correctly by holding the guitar pickups at precise distances from the amplifier speakers such can present a steady, undecaying sound. Electronic special effects employing effects loops can artificially reproduce this as well. Other effects used to embellish lead guitar tone and pitch include the whammy bar which physically stretches the strings, slides used extensively in country music and wah-wah and univibe effects. Also very commonly used are hammer-ons.

Line-up of formation of band members can be as follows:-

* Lead vocals
* Lead guitar, backing vocals
* Rhythm guitar, backing vocals
* Bass guitar, backing vocals
* Drums, percussion

or

* Lead vocals, keyboards, piano
* Lead guitar, backing vocals
* Bass guitar, backing vocals
* Rhythm guitar, backing vocals
* Drums, Percussion

or

* Lead vocals, rhythm guitar
* Lead guitar, backing vocals
* Bass guitar, backing vocals
* Keyboards, synthesizers
* Drums, Percussion

or

* Lead vocals
* Lead guitar, backing vocals
* Keyboards, backing vocals
* Bass guitar, backing vocals
* Drums, percussion, backing vocals

or

* Lead vocals, Rhythm guitar, Piano
* Lead guitar, Piano, Keyboards, Backing vocals
* Bass guitar, Backing vocals
* Keyboards, Rhythm Guitar, Backing Vocals
* Drums, Percussion, Backing vocals

or even

* Lead vocals, Rhythm guitar, Percussion, Keyboards
* Lead guitar, Piano, Electronics, Bass, Percussion
* Lead guitar, Backing vocals, Synths, Drums, Percussion
* Bass guitar, Synths
* Drums, Percussion, Backing vocals

amplifier

An electronic amplifier is a device for increasing the power of a signal. It does this by taking energy from a power supply and controlling the output to match the input signal shape but with a larger amplitude. In this sense, an amplifier may be considered as modulating the output of the power supply

Generally, an amplifier or simply amp, is any device that changes, usually increases, the amplitude of a signal. The relationship of the input to the output of an amplifier—usually expressed as a function of the input frequency—is called the transfer function of the amplifier, and the magnitude of the transfer function is termed the gain.

In popular use, the term usually describes an electronic amplifier, in which the input "signal" is usually a voltage or a current. In audio applications, amplifiers drive the loudspeakers used in PA systems to make the human voice louder or play recorded music. Amplifiers may be classified according to the input (source) they are designed to amplify (such as a guitar amplifier, to perform with an electric guitar), the device they are intended to drive (such as a headphone amplifier), the frequency range of the signals (Audio, IF, RF, and VHF amplifiers, for example), whether they invert the signal (inverting amplifiers and non-inverting amplifiers), or the type of device used in the amplification (valve or tube amplifiers, FET amplifiers, etc.).

A related device that emphasizes conversion of signals of one type to another (for example, a light signal in photons to a DC signal in amperes) is a transducer, a transformer, or a sensor. However, none of these amplify power.

Modest power audio amplifiers for driving small speakers or other light loads can be constructed in a number of ways. The first choice is usually an integrated circuit designed for the purpose. A typical assortment can be seen on this National Semiconductor page. Discrete designs can also be built with readily available transistors or op-amps and many designs are featured in manufacturers' application notes. Older designs employed audio interstage and output transformers but the cost and size of these parts has made them all but disappear. (Actually, when the power source is a 9 volt battery, a push-pull output stage using a 500 ohm to 8 ohm transformer is more efficient than non-transformer designs when providing 100 milliwatts of audio.) As a general rule, transformerless low power speaker projects will work better with 4.5 or 6 volt battery packs of AA, C, or even D cells than 9 volt rectangulars.

tabla

Tabla is a pair of drums. It consists of of a small right hand drum called dayan and a larger metal one called bayan.

The tabla has an interesting construction. The dayan (right hand drum) is almost always made of wood. The diameter at the membrane may run from just under five inches to over six inches. The bayan (left hand drum) may be made of iron, aluminium, copper, steel, or clay; yet brass with a nickel or chrome plate is the most common material. Undoubtedly the most striking characteristic of the tabla is the large black spot on each of the playing surfaces. These black spots are a mixture of gum, soot, and iron filings. Their function is to create the bell-like timbre that is characteristic of the instrument.

The Indian tabla, a two-piece percussion instrument, is the principal rhythmic accompaniment to most North Indian classical (namely khyal) and light music. It is said to have its origin in the two-faced drum called mridangam (used in South Indian music) and the pakhawaj (used in the accompaniment of the north Indian genres dhrupad and dhamar). In her book, 'The Tabla', Rebecca Stewart traces the word tabla, to the Arabic word tabi, a generic term meaning drum. Although the construction of the instrument is similar to kettle-drums that were in use for centuries, the first visual images of an instrument similar to the tabla can be traced only to 1808. The instrument in its current form is probably less than a century old.

The Tabla consists of two upright drums that are played with fingers and palms. Each drum sits on a ringed base of padding. Tablas are arguably the most complex drums in the world. Each head contains three separate skins.
The smaller drum, slightly conical in shape, is called tabla or dayan (literally right) is generally played with the right hand. It is made of hollow rose or oak wood. The top of the drum is covered with a stretched, layered leather membrane held in place by leather braces. The wooden pegs between the braces and the drum adjust the tension in the braces, thus controlling the pitch of the instrument.
< The black spot, found in the tabla's center is made from a semi-secret mixture of carbon black, mucilage, and iron filings gathered by tabla wallas (makers) from the sides of Indian railway lines. The mixture is rolled up into a sticky ball and applied as many spiral layers until it builds up this unique black spot.
Please remember, this black spot and the tabla skins are very delicate, never hit a tabla with a stick - it is a hand drum only.
The dayan is tuned with a metal hammer by lightly striking the periphery of the top membrane or tapping the wooden pegs. It is usually tuned to the tonic note of the performance.

The larger rounded drum, called the duggi or the bayan (literally left, since the instrument is generally played with the left hand), has a body consisting of either clay or, more commonly in modern tablas, metal (nickel-plated brass, brass, copper or aluminum). The top is covered with a leather membrane held with thongs and, like the dayan, is also adorned with a round black patch. The baya has a larger diameter than the daya and provides the bass. The tabla player's index, third, and fourth fingers as well as the palm and heel of the hand strike the surface of both drums to generate the rich treble and low bass tones that make up the tabla bols (percussion notes). Combined, the dayan and bayan, can produce an extraordinary array of sounds (more than 20) and rhythms in the hands of accomplished tabla players.

It is now only in India that one finds so much handwork involved in the making of musical instruments. In the rest of the world instruments are generally mass produced by machine with hand-crafting of instruments being the very expensive exception.
In India individual hand making of instruments is the normal tradition and very little machinery is involved except for rough preparation work. Quite how long this traditional approach will continue is unknowable as India is modernizing quite quickly. Today, when one buys a good quality Indian instrument, whether it be sitar, tabla, harmonium, or something else, one is purchasing the product of one particular craftsman's genius and life's work. This is why every instrument is truly an individual work of art.Although the origin of tabla is somewhat obscure, it is generally belived that it evolved from the barrel shaped drum called pakhawaj.This was about three hundred years ago.

The tablas allow you to create the most sophisticated sounds any hand drum can produce, whether it’s a solo performance or group accompaniment or a dance rhythm you are after, the tablas will deliver.Practice and explore the clarity of the basic sounds or syllables and play with the multitude of sound combinations and rhythms, immerse yourself into the limitless technique of tabla playing.

The tabla (or tabl, tabla) (Hindi: ????, Marathi: ????, Kannada: ???, Telugu: ???, Tamil: ?????, Bengali: ????, Nepali: ????, Urdu: ????, Arabic: ???? ?????) is a popular Indian percussion instrument (of the membranophone family) used in Hindustani classical music and in popular and devotional music of the Indian subcontinent. The instrument consists of a pair of hand drums of contrasting sizes and timbres. The term tabla is derived from an Arabic word, tabl, which simply means "drum."

Playing technique involves extensive use of the fingers and palms in various configurations to create a wide variety of different sounds, reflected in the mnemonic syllables (bol). The heel of the hand is used to apply pressure or in a sliding motion on the larger drum so that the pitch is changed during the sound's decay.